About This Activity
In this five day course, a monochromatic painting will be developed through the direct observation of a model. Historically referred to as the “dead layer”, this method has been used by painters throughout time as a means to resolve the effect of light prior to engaging with the complexity of color. By removing components of hue and chroma, increased attention can be given to the fall of light and its interaction with volume. The first two days will focus on a graphite pencil block-in, giving emphasis to the proportions and anatomical landmarks of the skull. The drawing will be understood as a substructure separating lights and shadows, and a likeness of the model will be achieved through the careful observation of geometric shapes and topographic contour. After a thorough investigation in graphite, the class will move forward to discuss the fundamentals of form modeling in oil paints. We will discuss the concept of light and form and work on a value study to efficiently organize hierarchies of tone. The course will conclude with a monochromatic rendered portrait that will have achieved the illusion of three dimensions as well as an accurate likeness of the model. This class is recommended for the student who wants to better their understanding of the portrait in oils with the control gained by a monochromatic palette. Each day participants will receive individual critiques from the instructor who will also give a demonstration throughout the course. Artists are welcome to draw and transfer to canvas if preferred.
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